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Emma Swift was the Grand Prize Winner in International Artist magazine’s Challenge No. 131, Wildlife.
Issue 206, Page 122 Read Article Visit Gallery Website
Lotton Gallery celebrates animals in its July exhibition.
Issue 177, Page 86 Read Article Visit Gallery Website
Robert A. Nelson presents an elaborate series of animal drawings as part of his upcoming show at CityFolk Gallery.
Issue 169, Page 140 Read Article Visit Gallery Website
Sculptor attracted to subject matter by their physical form and rich symbolic history.
Issue 7, Page 196 Visit Gallery Website
Anne Kaferle’s landscapes and cross sections of land formations are featured in a new show at TROVE Gallery in Utah.
Issue 177, Page 78 Read Article Visit Gallery Website
A focus on the artwork of Annie Meyer
Issue 177, Page 88 Read Article Visit Gallery Website
Corey Helford Gallery features the surreal artwork of Li Shanmei in an upcoming solo show.
Issue 220, Page 98 Read Article Visit Gallery Website
Caro's experiments in ceramics for his new Kenwood series at Bentley Projects.
Issue 4, Page 126 Visit Gallery Website
One of the great maritime painters of all time shows his new work.
Issue 8, Page 208 Visit Gallery Website
Working at Christie's auction house gave artist inspiration to create his own paintings.
Issue 2, Page 124 Visit Gallery Website
A focus on the art of Anthony Migliaccio
Issue 171, Page 136 Read Article Visit Gallery Website
Waichulis' paintings bring whole new meaning to term "Fool the Eye."
Issue 4, Page 136 Visit Gallery Website
Oil painter Anton Uhl’s current body of work delves into the male form.
Issue 177, Page 91 Read Article Visit Gallery Website
Katherine Ann Hartley's richly suggestive still life paintings hover in time but are grounded in place. By Lauren P. Della Monica
Issue 57, Page 66
California Art Club's 100th annual Gold Medal Juried Exhibition
Issue 66, Page 143
Michael Carson creates intimate works on a grand scale for a new show at Bonner David Galleries.
Issue 199, Page 104 Read Article Visit Gallery Website
Artist Arina Gordienko has always enjoyed painting faces and figures, and for several years she used her own face as a model for the works because she had the freedom to get a range of expressions.
Issue 174, Page 165 Read Article Visit Gallery Website