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New Charleston exhibition highlghts fifteen years of friendship between these two artists.
Issue 3, Page 142 Visit Gallery Website
Karen Burns began as a still life photographer, and gradually her interests shifted to still life oil painting.
Issue 168, Page 153 Read Article Visit Gallery Website
A museum for regional artists provides the perfect space for these southern coastal scenes. By Theresa Golas
Issue 10, Page 166 Visit Gallery Website
Evoking a sense of the familiar
Issue 174, Page 152 Read Article Visit Gallery Website
Horn brings her garden into the studio for her meticulously created floral still lifes.
Issue 2, Page 70 Visit Gallery Website
Bold, architectural style signals refreshing change of pace for Scottsdale.
Issue 1, Page 182
Offutt's painterly style uses mood and emotion to create a sense of place.
Issue 6, Page 162 Visit Gallery Website
Karen Woods new works for George Billis Gallery focus on travel and the things passengers see from car and airplane windows.
Issue 168, Page 120 Read Article Visit Gallery Website
Dempwolf finds meaning in painting the same scenes as artists who came before him.
Issue 3, Page 92 Visit Gallery Website
Two artists stead fastly following the finest traditions of Classic American Realism.
Issue 12, Page 164 Visit Gallery Website
Kateri Ewing presents a new body of serene works in watercolor and charcoal.
Issue 167, Page 140 Read Article Visit Gallery Website
A focus on the work of Katherine Galbraith.
Issue 170, Page 158 Read Article Visit Gallery Website
Experiencing New England
Issue 34, Page 158 Visit Gallery Website