As a lifelong Nebraskan, Martha Pettigrew’s interest in rural architecture began in early childhood when family entertainment was an evening drive in the country.
“My dad would point out an old corn crib, the occasional round barn or the block-and-tack apparatus used to raise loose hay up into the gaping loft of a huge, red, gambrel-roofed structure,” says Martha. The old barns, she explains, were hand-built using mortise-and-tenon joints, pegged into place—the distinct styles of architecture originating from different parts of Europe. These utilitarian structures, made to shelter animals, equipment and hay, were a real source of pride to the farming families. “My paintings emphasize my own interpretation of color, shape and shadow,” she adds.
Martha paints in what she refers to as a minimalist/precisionist style since her college days. “Each painting teaches me something about color juxtaposition,” she says. “The possibilities of composition and color are fascinating and endless.” —
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